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    <title>DSpace Collection:</title>
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    <dc:date>2026-04-09T07:29:56Z</dc:date>
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  <item rdf:about="http://localhost:8080/xmlui/handle/123456789/12102">
    <title>Pengaruh Jenis Kain terhadap Hasil Jadi Rok Lingkar</title>
    <link>http://localhost:8080/xmlui/handle/123456789/12102</link>
    <description>Title: Pengaruh Jenis Kain terhadap Hasil Jadi Rok Lingkar
Authors: Amilia, Widya; Prasetyaningtyas, Wulansari
Abstract: Abstract. Circle skirt is a skirt that has a flare or development at the bottom of the skirt with a pattern of 1/6 minus 1 from the&#xD;
waist circumference. The making of circle skirts depends on the use of the materials used, therefore the selection of textile&#xD;
materials in making circle skirts has an effect on in terms of the type of material and design used in each clothing model. This&#xD;
study aims to determine the results of circle skirts and the effect of the type of material on the results of the best circle skirts&#xD;
based on the criteria. This type of research is a quantitative study, by comparing two kinds of fabrics on circle tocks using satin&#xD;
and taffeta materials made with S size and L size pattern constructions. The data collection method used was observation with&#xD;
an instrument in the form of a check list, with 30 observations. Data analysis techniques using simple linear regression the&#xD;
results of the analysis show that the use of circle skirts in the S size and L size models is viewed from the aspect, the accuracy&#xD;
of the waist, the location of the waves, balance and the results of the hem under the skirt. There is an effect of the use of&#xD;
materials on the resulting skirt circumference at the waist, the fall of the wave, the balance of the lower skirt circumference,&#xD;
and the hem of the bottom of the skirt has a significant difference, with the highest average value in the use of bridal satin&#xD;
fabric</description>
    <dc:date>2024-01-01T00:00:00Z</dc:date>
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  <item rdf:about="http://localhost:8080/xmlui/handle/123456789/12101">
    <title>Quality Of Tie Dye Using Papaya Leaves Extract (Carica papaya L.)</title>
    <link>http://localhost:8080/xmlui/handle/123456789/12101</link>
    <description>Title: Quality Of Tie Dye Using Papaya Leaves Extract (Carica papaya L.)
Authors: Nahdiyah, Ayu; Kusumastuti, Adhi
Abstract: Abstract. Papaya plant is one type of plant that is widely cultivated in Indonesia. Papaya leaves contain chlorophyll,&#xD;
tannins, flavonoids, alkaloids, steroids, saponins and triterpenoids which can be used as basic ingredients for the&#xD;
manufacture of natural dyes for textiles. Utilization of papaya leaves as natural dyes can reduce the impact of environmental&#xD;
damage caused by synthetic dyes. This study aims to determine the quality of color strength, color fastness to detergent&#xD;
washing and motive sharpness on primissima mori fabric using tie dyeing technique with variations in the pH of papaya&#xD;
leaf extract and the mordant used is mordant alum, quicklime, and tunjung. This research is a type of experimental research.&#xD;
The data collection technique used was a laboratory test. The data analysis technique used is descriptive analysis. The&#xD;
results of the descriptive analysis showed that the darkest color strength test results were produced by mordant tunjung pH&#xD;
6 with a reflectance value of 3.51% and a transmittance value of 96.49% including very dark criteria. The best test values&#xD;
for color fastness to detergent washing were alum mordant at pH 2 and pH 12 and quicklime mordant pH 2 with an average&#xD;
gray scale value of 4-5 in the good category. The test value for the sharpest tie dye motive is the mordant tunjung pH 6 with&#xD;
a reflectance value of 3.51% and a transmittance value of 103% including very sharp criteria. The conclusion from several&#xD;
test results shows that the use of different pH variations and types of mordant can affect the results of the quality of dyeing&#xD;
on fabrics.</description>
    <dc:date>2024-01-01T00:00:00Z</dc:date>
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  <item rdf:about="http://localhost:8080/xmlui/handle/123456789/12100">
    <title>Perbedaan Hasil jadi Shibori dengan Pewarna Dispersi pada Kain Satin Velvet dan Satin Maxmara</title>
    <link>http://localhost:8080/xmlui/handle/123456789/12100</link>
    <description>Title: Perbedaan Hasil jadi Shibori dengan Pewarna Dispersi pada Kain Satin Velvet dan Satin Maxmara
Authors: Risqi Vauziah, Putri; Musdalifah, Musdalifah
Abstract: Abstract. Shibori is a fabric dyeing technique that includes stitching, twisting, tying, pinning, and wrapping. Although all&#xD;
materials can be made of shibori, the shibori dyeing process is adapted to the material used, for example, cellulose fibers&#xD;
such as cotton, linen, and rayon use reactive dyes, and protein fibers such as silk and wool are acid-dyed. Meanwhile,&#xD;
synthetic fibers such as polyester are colored with dispersed dyes. The purpose of this study was to determine the differences&#xD;
in the results of shibori with dispersion dyes on satin velvet and satin maxmara in terms of the clarity of the motifs and the&#xD;
sharpness of the colors. This type of research is experimental research. Independent variable: satin velvet and satin&#xD;
maxmara. Dependent variable: the clarity of the shibori motif and the sharpness of the color. Control variables: The color&#xD;
of the dispersion agent is red, the kumo shibori technique, the thread spacing is the same, the number of brushes is three&#xD;
times, the fabric size is 115cm x 115cm, and the processing time is the same. The data collection method is the observation&#xD;
method with 25 respondents. The data analysis technique is descriptive analysis and data analysis uses the t-test with the&#xD;
SPSS 25 program with α &gt; 0.05. Based on The t-test, showed that there was no difference in the results of shibori with&#xD;
dispersion dyes on satin velvet and satin maxmara in terms of two aspects, namely the clarity of the motifs and the sharpness&#xD;
of the colors. The descriptive results show that satin velvet has a higher mean than satin maxmara.</description>
    <dc:date>2024-01-01T00:00:00Z</dc:date>
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  <item rdf:about="http://localhost:8080/xmlui/handle/123456789/12099">
    <title>Kualitas Hasil Ecoprint Motif Daun Jenitri dengan ZWA Daun Ketapang menggunakan Mordan Tawas, Tunjung dan Kapur Tohor</title>
    <link>http://localhost:8080/xmlui/handle/123456789/12099</link>
    <description>Title: Kualitas Hasil Ecoprint Motif Daun Jenitri dengan ZWA Daun Ketapang menggunakan Mordan Tawas, Tunjung dan Kapur Tohor
Authors: Prawati Maratu Sholikhah, Anggun; Widowati, Widowati
Abstract: Abstract. The problem of textile waste encourages industry players to implement eco-fashion, steps to support eco-fashion&#xD;
by implementing ecoprint. Ecoprint is a technique of transferring colors and leaf motifs onto the surface of the fabric. This&#xD;
research uses the ecoprint steam medium print technique with alum, tunjung and quicklime mordant. The aim of this&#xD;
research is to determine the effect of using mordant on the quality of ecoprints in the color and motif aspects. Analysis of&#xD;
the fastness results in the gray scale and staining scale tests was best obtained by ecoprint using quicklime mordant with&#xD;
an average result of 4 (Good) in the gray scale test and an average of 4.55 (Good) in the staining scale test. Testing color&#xD;
aging (R%) the highest value for ecoprint mordant Tunjung with an average of 3,795. Analysis of the results on motif&#xD;
aesthetics, the best results were Tunjung ecoprint mordant with an average of 3.4 (Quite Good). The color direction results&#xD;
showed that Alum mordant produced Oyster-Wood color, Tunjung mordant produced Smoke-Shadow color, and Tohor&#xD;
lime mordant produced Hazel Wood-Carob. Based on the research results, it can be concluded that mordant has an&#xD;
influence on fastness, color aging and motif aesthetics. The suggestion from this research is to increase the soaking time&#xD;
for natural dyes, especially alum mordant. The choice of leaves, either as a motif or as a natural dye, greatly influences&#xD;
the quality of the ecoprint</description>
    <dc:date>2024-01-01T00:00:00Z</dc:date>
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